Showing posts with label james harringman. Show all posts
Showing posts with label james harringman. Show all posts

Tuesday, 15 November 2011

Movember: Day 15 Update

James Harringman, Editor
Nicolas Pillai, Film Editor
Day 15. About half way through and I am proud to say we have raised £135 so far. I'd like to think that, now we are actually armed with fund raising moustaches we can do better in the second half.

It is all for the excellent cause of Prostate Cancer awareness, so please chip in HERE

Thursday, 10 November 2011

Movember: Day 10 Update

Nicolas Pillai - Film Editor
James Harringman - Editor-in-Chief




We have reached day 10 of our upper-lip shaving abstinence. I don't think either of us is worthy of the cover of Moustache Monthly quite yet, but the month is young. The reason for all this remains the same, to raise awareness and as much money as we can for The Prostate Cancer Charity. If you can spare some dollar, pound or yen, please drop it in the e-collection pot of the Silkworms Ink 'Mo Space'- link below. Thank you!

DONATE HERE

Tuesday, 1 November 2011

Silkworms Ink does Movember


This month Silkworms Ink will be supporting the Movember movement.

What?

"During November each year, Movember is responsible for the sprouting of moustaches on thousands of men’s faces in the UK and around the world. The aim of which is to raise vital funds and awareness for men’s health, specifically prostate cancer and other cancers that affect men.
On Movember 1st, guys register at Movember.com with a clean-shaven face and then for the rest of the month, these selfless and generous men, known as Mo Bros, groom, trim and wax their way into the annals of fine moustachery. Supported by the women in their lives, Mo Sistas, Movember Mo Bros raise funds by seeking out sponsorship for their Mo-growing efforts.
"


Why?

"The Movember Effect: Awareness & Education, Survivorship, Research
The funds raised in the UK support the number one and two male specific cancers - prostate and testicular cancer. The funds raised are directed to programmes run directly by Movember and our men’s health partners, The Prostate Cancer Charity and the Institute of Cancer Research. Together, these channels work together to ensure that Movember funds are supporting a broad range of innovative, world-class programmes in line with our strategic goals in the areas of awareness and education, survivorship and research."



For more information on the programmes Movember funds please visit the following:

Global Action Plan


What we have planned…

It's a secret. Although, surprise, surprise, we do have a few moustache themed tricks up our sleeve for the coming month. Stay tuned.

Day 1

Myself and the excellent Nicolas Pillai will be representing the Silkworms. Follow our upper lip adventures as we give you regular updates throughout the month.

We start here on November 1st. Clean shaven. 


James Harringman. Editor-in-Chief
Nicolas Pillai. Film Editor
 
Let Mo Season Commence.

Monday, 29 November 2010

Sideways | Introduction | The Importance of Being Sideways



SIR – Perhaps the penalty shoot-out should be taken before the match. This might help eliminate some of the negative tactics adopted by teams, particularly when the match goes into extra-time. The onus would be on the team that lost the shoot-out to be more attack-minded. The longer the match went on without them leading, the more open it would become.
Neil Hoad
Brighton

(A letter from the Daily Telegraph’s correspondence pages)


Our heads are round to allow our thoughts to change direction.”
Francis Picabia, Dadaist

Let us on occasion, talk sideways, neologisms and debate definitions. Walk sideways, avoid traffic and find us in unusual alleyways. Shave sideways so our body-whiskers grow out un-habitually and experience the world around them differently. Think quite entirely sideways, for at that inexact and unlikely angle there can be a defeat of habit. You can start by thinking out of the corner of your brain.





Harringman James
Chief-in-Editor
Inkworms Silk

Monday, 22 November 2010

Quotes | Introduction | Quotes from ‘A Pearl is A Pearl’


However much I play tongue-in-devil-advocate’s-cheek, I think there is a lot to be said for pearls.
Belinda Rutforth, Mythologist

A tree is a tree. Yes, of course. But a tree expressed by Minou Drouet is no longer quite a tree, it is a tree which is decorated, adapted to a certain type of consumption, laden with literary self-indulgence, revolt, images, in short with a type of social usage which is added to pure matter.
Roland Barthes, Mythologist

The opening Rutforth quote, her most famous, comes from an interview she gave to the Times in 1995 after the release of her seminal work A Pearl is a Pearl: The Viral Tendency of Myth Today. It is very possible that her work would have fallen un-dramatically into oblivion were it not for the closing section of the lengthy essay which includes her predictions for the future of the internet – what she refers to as the ‘potential network’. It is important to remember that at the time, the internet was very much at an embryonic stage – it was up and running as a network of communication, but with only 35 million users around the world it had yet to become the social superpower it is today. Astonishing then that Rutforth would spell out Facebook: 'Within five years the world will be connected as a single network. Privatized platforms will arise to facilitate a virtual society'. Never heard Zuckerberg credit Rutforth – nor Fincher for that matter, although she was a little out on the timeframe. She also describes YouTube thus: 'The barriers and dams of conventional media will not be worth mending with the unrestricted sharing of data – the world will publish'.

Like Oscar Wilde, I believe Rutforth has been remembered in the wrong way. Her prophesies are strangely accurate, however her oft-forgotten theory that the internet 'is a forum of expression' is where the social consciousness of ‘myth’ (See opening Barthes quote) is most accurately projected. And as she suggests, 'the difficulty is extrapolating it as a single image.'

Only in her conclusion does Rutforth express an Achilles heel of the world wide web – what she calls a  'crisis of legitimacy' – when 'the self will become avatar.'

Virtually, the potential for the internet to actually hold ‘universal truth’ is always going to be questionable.

James Harringman
Editor-in-Chief
'The internet is just a world passing around notes in a classroom.' Oscar Wilde

Monday, 18 October 2010

Comics | Introduction | Rhyme as Image


Week 22 | Comics | Contents

Tuesday | Poetry | Interview with Jon Stone

I seen a peanut stand, heard a rubber band
I seen a needle that winked its eye
But I be done seen 'bout ev'rything
When I see a elephant fly...

Have you ever seen a rhyme?

Picture yourself in a boat on a river
With tangerine trees and marmalade skies
Somebody calls you, you answer quite slowly
A girl with kaleidoscope eyes.

I have been thinking about representing rhyme as image. What would a couplet look like for instance? Perhaps it would be two images that share shapes as words share sounds. Could a comic be poem? Clearly an idea better expressed and tested on the page - so I wrote/scribbled this pantoum about a red-faced man, a bird and a clock.


James Harringman
Editor-in-chief

Tuesday, 5 October 2010

National Poetry Day | Introduction | Beetroot Hummus



Week 20 | National Poetry Day | Contents

Tuesday | Poetry | Bust
Wednesday | Fiction | Being Nice To Nice People Is Easy 
Thursday | Music | The Hummus  Bandwagon

In case you didn't know, it is National Poetry Day on Thursday 7th October. This year's theme is 'Home'. Most of the year, it's up to us small presses and to you dedicated readers to keep the poetry flag flying - but this week poetry is particularly press-worthy, which enables us to take our eyes off the flame and discuss some other pressing matters.

In light of this,

Beetroot Hummus Recipe

Ingredients

  • 1 cup of dried chickpeas
  • 1 onion
  • 1 beetroot
  • 1/4 cup tahini
  • 2 cloves garlic
  • 1/4 cup fresh lemon juice
  • 1 tablespoon ground cumin
  • olive oil

Directions

  1. In bowl cover chickpeas with cold water and soak overnight.
  2. Drain chickpeas and place in  saucepan; add water, cook, drain(reserving 1 cup of cooking liquid), cool.
  3. Meanwhile, cook beetroot until tender; drain, cool, skin, chop.
  4. Puree; add the beetroot, chickpeas and onions, tahini, garlic, lemon juice and cumin. Blend. Pour in the reserved cooking liquid and olive oil. Blend again. Drizzle with a little olive oil. 

Eat.

 

James Harringman
Ch(Editor)ief
'The man who thought for a moment he had invented something culinary, until he googled it'

Tuesday, 28 September 2010

Generation | Introduction | Diversions for Writers Block




Week 19 | Generation | Contents

Tuesday | Poetry | TS3L10T
Thursday | Music | Generation Xzibit


(Image above - What happened when I put the Silkworms RSS feed through Wordle, 'Equality Values Cultural Opinion)

The best piece of advice I was given about writing came from my former tutor David Morley – he said, ‘just write’. When stuck, confronted with a blank page or paragraph that has no foreseeable conclusion – don’t plan how to fill the void or try to see a conclusion, simply write. Otherwise, you may find after an hour of ‘writing’ you have written nothing, you may be jotted down a thousand first sentences and deleted them with button or score, they are sentences that count for nothing. What would have been valuable is 3 pages of stream of conscious nonsense, automatic writing and at some point begins with shape itself into sense – and it does often do that, meander from drivel and incongruency into something that can be used as a brick to subsequently build on.

However, there are lots of ways to spark inspiration – each writer has their own method of breaking out of a rut (some haven’t discovered it yet), although what often links these means is a sense of play. A commitment to a word is serious writing, it has consequence – however just playing around with words is liberation that leads to some interesting results.

A while back I was introduced to the work of the Oulipo group (Ouvroir de littérature potentielle) roughly translated, "workshop of potential literature". French-speaking writers and mathematicians which sought to create works using constrained writing techniques. Constraints that trigger inspiration, just as any game has its rules. My favorite of their studies was the n+7, where every noun in a text is replaced with the noun seven entries after it in a dictionary. Just like their cooking, this French method takes a long time, fortunately there is now a microwave equivalent available. The N+7 Machine, bang in a text, click the button and voila – why not try it for yourself, use a sample of your own writing to experiment with different source texts and see what happens.

Another cracking website for machining yourself out of an uninspired spot is The Seventh Sanctum – a collection of generators that make random characters, plots, ideas etc. There are quite a few available, the below list is by no means exhaustive.

For characters….

Anthropomorphic Animal Generator

The educated male anthropomorphic black-feathered Bird. His wardrobe is strange.

For names….

Weird Name Generator

The Steel Sleeper

For settings…

Tavern Generator

The Owl's Stein

For plots…

Story Generator

This is a coming-of-age story with an emphasis on bigotry and making ones own destiny. The story is about a fearsome anthropologist and a monk. It takes place in a port city. The story begins with a compromise. The effect of globalization on religion plays a major role in this story.


It’s all quite good fun, although probably only best used as a leaping point from which you can impose some authority. Also, a point to bear in mind, we can't rely to heavily on these machines for writing because one day they will travel back in time and kill Sarah Conner.




James Harringman
Editor-in-chief

Tuesday, 14 September 2010

Gonzo | Introduction | The Legend of Gonzo



Week 17 | Gonzo | Contents

Tuesday | Poetry | Two Thumbs Up
Wednesday | Fiction | The Professor and I 

Woman Found in Hunter Thompson’s Cesspool

“Miss Snap, wearing only a pair of men’s boxer shorts and a polka-dotted purple kerchief tied around her chest, told reports who had gathered at the scene that Dr. Thompson held her captive in the cesspool, a dry cement pit measuring 15 x 8 feet, and after repeatedly “indulging his perverted appetites,” had forced Miss Snap to write his biography.
“He made me compose this revolting record of human calamity,” said the red-haired pavologist, who is 5 feet, 3 inches tall, 106 pounds, and a former Miss Indiana. “It’s all here,” she said, removing a thick manuscript from a broken leather case, “the history of the biggest degenerate of the 20th century.”
Miss Snap, who said she has not slept in many days because of “seal bombs being dropped in the cesspool,” declared that she was giving the manuscript to James Harringman, an acquaintance of Dr. Thompson, to be edited, and added: “And then the world will fairly call him a hog.”

“Dr Thompson, the inspiration for Uncle Duke in the “Doonesbury” comic strip, told reporters that “Miss Tishy Snap is an inebriated nymphomaniac.”
(1)


The Life of Hunter Stockton Thompson

Comprehending
an Account of His Miraculous Existence
From the Time of his Birth to the Present in
Chronological Order

Including
The Seduction and Torture
Of His Own Biographer

The Whole Exhibiting a View of Debauchery
And Felony Never Seen in a Literary Man
Since
The Marquis de Sade

by
Laetitia Snap

3:00 p.m. rise
3:05 Chivas Regal with the morning papers, Dunhills
3:45 cocaine
3:50 another glass of Chivas, Dunhill
4:05 first cup of coffee, Dunhill
etc.


Did you hear about the time Hunter Thompson ran for sherrif of Placcid Aspen?

His manifesto consisted of the following three principles.

1.    Sod the street at once
2.    Change the name ‘Aspen’ by public referenced to ‘Fat City.’
3.    …Intall on the courthouse lawn, a bastinado platform and a set of stocks – in order to punish dishonest dope deals in a proper public fashion….
-The Aspen Times, political ad, September 17,1970

A victory would have been a landmark on the political landscape. He claimed to represent freedom, but his demographic spread to the weird, wasted and wonderful – a campaign so strange that it might just win.

His main contender to the badge was a man named Carol Whitmer. Whitmer was the old-school crew-cut kind of guy. Preceding a series of scheduled debates between Thomspon and Whitmer, HST shaved off all his hair so he could refer to Whittmire as “my long-haired apponent”.

Marks, certainly, for style.

The man who ran the bar where Hunter ran his campaign from named Michael Solheim, was later quoted to say “It was very clse. And we would have won it if we had taken the thing a drop more seriously”.

ELECTION RESULTS

SHERIFF
Glen Ricks…………..….171
Carol Whitmire………...1533
Hunter Thompson……..1065

CORONER

Dr. Charles Williams….1836
William Noonan……….910

-The Aspen Times, Novemeber 5, 1970

Aspen Rejects Bid of Hippy Candidate For Sheriff’s Office
“If we can’t win Aspen, we can’t win anywhere”
- Hunter Thompson, quoted in the New York Times, Novemver 5, 1970

I suppose it is somewhat like green party winning a seat at Brighton, if it was going to happen, it would have happened there, the only difference is, the green party actually won.

No doubt he was a great writer, but what always troubles me with the legend of Hunter S. Thompson is he lived his own myth. He had a hat made from unborn wolf – reportedly an entire litter.


So we shall let the reader answer the question for himself. Who is the happier man, he who has braved the storm of life and lived, or he who has stayed securely on shore and merely existed?
-Hunter Thompson (written at age 16)

'counselor'
-Hunter Thompson (written at age 67)

(1) Miss Laetitia Snap actually gave the manuscript to Jean E Caroll, this is the introduction to the subsequent book. Well worth a read.



James Harringman
Editor-in-chief

Wednesday, 1 September 2010

Freaks | Introduction | Monster Marketing


Week 15 | Freaks | Contents

Tuesday | Poetry | La Grand Guignol de Silkworm
Wednesday | Fiction | One of Us! One of Us! 
Thursday | Music | RPGs Are Like Guitars

WARNING: THIS ARTICLE MAY STERILIZE YOU WITH FEAR

I admit there's an element of brutality in all my work - it's part of the truth about human existence I always want to explore - but the last thing I'm trying to do is put on some kind of freak show, inviting people to get off on other people's pain and humiliation.
Todd Solondz

This week you are in for a freak-treat, monsters, mutants and madness.

It is no coincidence that freak shows have been popular throughout history. One of the earliest examples is Lazarus Colloredo and his parasitic twin brother John Baptista who toured 17th century Europe. The upper body and left leg of Baptista protruded from the torso of his mobile brother Lazurus. According to historical records, Lazarus was a handsome and charming man apart from this brother dangling before him. In 1884 the legend Joseph Merrick exhibited as ‘The Elephant Man’. More recently, ‘999 Eyes Freakshow’ started up as the last genuine traveling freakshow in the United States. This brings us right up to the present where we have the current series of Big Brother.

In short, oddness is and has always been a commodity, as such is sold and bought, and for it to sell well, marketed.

The seed of this article was sown from the Ballad of Ekimo Nell, which Phil posted up the other day. The ballad itself was news to me but the movie poster was not. I remember first seeing it as a kid in a book called 'Worst Movie Posters of All Time' - which is probably 'The Most Inappropriate Name of a Poster Book of All Time' as it contained some of the most fantastic images and tag lines of movie history. It is book about selling monsters, pandering to our love of freaks and making freak mountains out of odd molehills.

I’d like to introduce you to a few of my favourites (apologies some of the images are poor, it's difficult to find decent ones as much of the evidence of the below movies has been tactfully destroyed)

5. The Groove Tube
K-S/Syn-Frank Enterprises

All is revealed in The Groove Tube. What turns the apes on? What makes a cop dance in the street? Who chases her through the woods? What Can Butz beer do for you? What has the night tonic done for her? Why are they eating grass? Produced, written and directed by Ken Shapiro. Oh Ken, you loon. 

4. Fire Maidens From Outer Space
Eros Films

A poster plastered with outrageous cut-price thrills, it promises both sex-starved beautiful aliens and some planet-ravishing creature of horror.  At the time, Picturegoer’s reviewer hailed it with the words: “A film I nominate as the stupidest ever”.

3. Queen of Outer Space
Allied Artists

A Zsa zsa Gabor classic – with a poster depicting Gabor languidly spread across the Venusian landscape wrapped by images of men romping with laser gun toting girls and another of a man grapping with a giant spider. Released in 1958, set in 1985.

2. The Dead One
Grand National Pictures

A deserving second place for the list of sights on offer.

SEE The Voodoo Princess call on the dead one to Kill! Kill! Kill!
SEE The Dead Ones come to life within their coffins
SEE Exotic rituals bring the dead to life
SEE Beautiful dancing girls


1.    The Black Scorpion

Warner Bros.

The chart topper of this little list because of the host of  most excellent tag lines including...

“We defy you not to get a genuine case of the horrors”

“Uncut! Shown exactly as filmed”

 And best of all, "Don't be ashamed to scream, it helps to relieve the tension"


Sleep tight,

James “The Human Human” Harringman
Editor-in-chief

Wednesday, 25 August 2010

Live Performance | Introduction | Human as Medium




Week 14 | Live Performance | Contents

Tuesday | Poetry | Bukowski
Wednesday | Fiction | Good Times With Weapons 
Saturday | Mixtape | Cypress Grove


Not wanting to put an introduction after the rest of the week, I'll leave this as 'under construction' - as I'm heading to Edinburgh today, it seems appropriate to write about that when discussing live performance.

So for now...this week we will (at some point) we talking about Live Performance.

James Harringman
Editor-in-chief

Saturday, 21 August 2010

Introducing Poetry T-shirts




Featuring Bunny Slippers by Kyle Hemmings, Jam Trap by Chrissy Willians and Jaques Derrida, mort dans la nuit by Todd Swift.

Monday, 16 August 2010

Heroes & Villains | Introduction | The Gadfly


Week 13 | Heroes & Villains | Contents

Tuesday | Poetry | Bromance Alert
Wednesday | Fiction | Mega Gil vs. Giant Friedrich 
Friday | Chapbook | Thra-koom, by Jon Stone


This week we will mostly be talking about Superheroes. Make sure you check back on Friday for the chapbook as we have a corker coming up from the brilliant Jon Stone.
 
Anyway superheroes, from classic comic books to forgettable movie remakes, the Superhero remains one of the most kick-ass characters you can create. Poetry superheroes are few and far between so I thought I'd have a go at creating one myself. I present 'The Gadfly'. Any ideas for super powers?

James Harringman
Editor-in-chief

Monday, 9 August 2010

Facebook | Introduction | More of an update really...


Week 12 | Facebook | Contents

Tuesday | Poetry | Banter

This week we will mostly be thinking about facebook. A tribute to our brand spanking new facebook page.

CLICK HERE TO CHECK IT OUT


We have a couple of tricks up our sleeve here so we suggest you 'watch this space'. In the meantime, below are a couple of links to the best of FailBook.com

1 | 2 | 3

Editor-in-Beef
James Harringman

Monday, 2 August 2010

Bees | Introduction | The Language of Mead




Week 11 | Bees | Contents



Tuesday | Poetry | Wintering
Thursday | Music | Blow Job Betty
Friday | Chapbook | There There, by Daniel Payne



A city is a place where there is no need to wait for next week to get the answer to a question, to taste the food of any country, to find new voices to listen to and familiar ones to listen to again.
Margaret Mead

Mead is one of those ancient things, deeply old and established in so many cultures around the word. It is The Great Grandmother of All Fermented Drinks. As a result it holds a certain position in the market of language, with ‘fingers in many pies’. A great thing for those that take pleasure in the discovery of new pools of language.

You can see the full list of variants of mead here. However, below is a short-list of words you probably haven’t heard of before – ready for you to slip into any mead related conversation – or a poem perhaps.

•    AcerglynA mead made with honey and maple syrup.
•    BochetA mead where the honey is caramelized or burned separately before adding the water. Gives toffee, chocolate, marshmallow flavors.
•    BraggotBraggot (also called bracket or brackett). Originally brewed with honey and hops, later with honey and malt — with or without hops added.
•    CapsicumelA mead flavored with chile peppers.
•    CyserA blend of honey and apple juice fermented together; see also cider.
•    HydromelHydromel literally means "water-honey" in Greek. It is also the French name for mead. (Compare with the Spanish hidromiel and aquamiel, Italian idromele and Portuguese hidromel). It is also used as a name for a very light or low-alcohol mead.
•    MelomelMelomel is made from honey and any fruit. Depending on the fruit-base used, certain melomels may also be known by more specific names
•    MetheglinMetheglin starts with traditional mead but has herbs and/or spices added. Some of the most common metheglins are ginger, tea, orange peel, nutmeg, coriander, cinnamon, cloves or vanilla. Its name indicates that many metheglins were originally employed as folk medicines. The Welsh word for mead is medd, and the word "metheglin" derives from meddyglyn, a compound of meddyg, "healing" + llyn, "liquor."
•    MoratMorat blends honey and mulberries.
•    MulsumMulsum is not a true mead, but is unfermented honey blended with a high-alcohol wine.
•    OmphacomelA mediæval mead recipe that blends honey with verjuice; could therefore be considered a variety of pyment (qv).•    OxymelAnother historical mead recipe, blending honey with wine vinegar.
•    Pyment Pyment blends honey and red or white grapes. Pyment made with white grape juice is sometimes called "white mead."
•    RhodomelRhodomel is made from honey, rose hips, petals or rose attar and water.




James Harringman
Editor-in-disbelief

Monday, 26 July 2010

Butterflies | Introduction | Like an ISA or that porno version of Facebook

Week 10 | Butterflies | Contents

Tuesday | Poetry | Pareidolia
Wednesday | Fiction | Two Riders Were Approaching

Aurora Borealis - PubDom NASA.gov


Over the next two weeks Silkworms Ink is going to be thinking about Butterflies & Bees. The idea is to establish a wee polarity between the two and see what happens. Unscrupulously, it is a nod-plug and a wink to Polarity Magazine. Issue 1 out now; concepted and edited by the super-smart George Ttoouli and designed by yours truly, generally a good thing. I suggest you immediately buy a copy.

Anyway, Butterflies.

Scientifically speaking, Goethe’s Theory of Colours is not a theory at all. According to Wittengenstein is nothing more than “a vague schematic outline” with no ‘experimentum crucis’. Although Goethe admits in the introduction that he has not provided a true explanation of the essential nature of colour but instead a postulation on it as phenomena – how it is as apposed to what it is. Peter Hughes sums it up nicely by stating that for Goethe, "the highest is to understand that all fact is really theory. The blue of the sky reveals to us the basic law of color. Search nothing beyond the phenomena, they themselves are the theory."

It is easy to see why Newton’s ideas have held firmer ground in the scientific community. However, Goethe’s studies and thinking did find footing in art. Kandinsky was particularly influenced by Goethe’s ideas and in 1840 when the text was translated into English by Charles Eastlake, it was widely adopted by the art world, Pre-Raphaelites and J. M. W. Turner etc.

Anyway, Butterflies.

Colour is something that is pretty fixed. Red is red. Right? Well, no, we can never be sure as what evidence and definition stands for the real-world quality of redness independent of our perception. To even attempt to answer the impossible we would need to step back from specific colours to look at light itself. Newton says light is white and heterogeneous – splitting into its component parts at prism. Goethe says light is white, pure, homogenous – splitting into colour through the turgidity of the prism. In short, Newton understood colour to be parts of white light, whereas, Goethe saw colour as arising from the interaction of light as dark.

According to Goethe, "Newton's error... was trusting math over the sensations of his eye."

Newton narrowed the beam of light in order to see what he was looking for – Goethe widened the aperture, he didn’t see the colours nearly ordered, instead was only confronted with colour at the edges – marginalised like taboo and other great ideas.

Anyway butterflies,

Actually butterflies, quite incredible sentients. Widely recognised as things of fancy – a creature of costume jewellery. To an extent this is true, the butterfly does have a certain bravado – but it does have more to offer on closer inspection (as with all small things….apart from the apostrophe…agreed, but what about the plural possessive you say…how about replacing the ‘s with a z?) the butterfly you see is an incredibly acute animal in terms of evolution; the Batesian and Müllerian may spring lethargically to mind.

A major factor in the mating habit of the butterfly is the colour of its wings.

It is important to remember here that the butterfly (an umbrella term for the plethora of species) is under threat. The key statistic in the decline of British butterflies is the astonishing 97 per cent loss of mature grass meadows since the 1930’s. Mature meadow is virtually irreplaceable. The natural environment of the butterfly has been unwarmly eroded on a global scale.

As aforementioned the butterfly is very much on its toes, and this is the most remarkable thing about the butterfly – through those evolutions and mimicry there has arisen instances of two separate species mating to form an entirely new species.

Modern art before humans conceived it, the wings of a butterfly under a microscope show their scales and are paint strokes of the universe.

Colour for the butterfly is that of Goethe, not Newton – a phenomena of the eye.

Please join in on the Big Butterfly Count - July 24th-August 1st.

James Harringman
Editor-in-chief

Monday, 12 July 2010

Wider Reading | Introduction | Something, Something, Heidegger


Week 8 | Wider Reading | Contents

Tuesday | Poetry | Wiki Wild West
Thursday | Music | Postcards from Italy: Fourth and Fifth.
Saturday | Mixtape | Critical Listening



Plato, Aristotle, Bharata Muni, Al-Jahiz, Lodovico Castelvetro.


Wordsworth, Eichenbaum, Coleridge, Shklovsky, Hazlitt, Yury Tynyanov, Jakobson and Mr. Propp.


Northrop Frye, Said, Rousseau, Voltaire, Kant, Foucault. Locke, Machiavelli, Sartre, Proust, Beauvoir, Fayol, Shakespeare, Milton, Woolf, Maupassant, Tolstoy, Dostoevsky.


Perloff, Hassan, Peters, Picard, Barthes, Brecht, Lacoue-Labarthe.


Jacques Derrida, Jacques Lacan, Paul Celan, and Gérard Granel. Nietzsche, Hölderlin and Walter Benjamin.


Martin Heidegger.

I, evidently, am incredibly well read. Evidence aside, it proves nothing.

The widest readings come from places only you know.


James Harringman
Editor-in-chief

Monday, 5 July 2010

Youth | Introduction | Youth Sells


Week 7 | Youth | Contents

Tuesday | Poetry | 'A Kindred Spirit'
Thursday | Music | Postcards From Italy: the First, Second and Third
Saturday | Mixtape | Italy



“How beautiful is youth! how bright it gleams with its illusions, aspirations, dreams! Book of Beginnings, Story without End, Each maid a heroine, and each man a friend!”

Henry Wadsworth Longfellow


“One man's "magic" is another man's engineering.”

Robert A. Heinlein

Sex proverbially sells, or so ‘they’ say – however, I’m not entirely sure ‘they’ know what ‘they’ are talking about. In fact, it is nothing to do with sex per se – it is youth that is being sold - in truth, youth sells.

Youth is not the gap between childhood and adulthood in this instance – it is beauty, vitality and a state of mind. It is the holy grail – eternal life – what we seek at all times of our lives and that is exactly why advertisers associate the products they are representing with it. It is youth as commodity – something you can obtain through purchase. Mostly importantly here, it is believable – it is a real magic. However old you are there are days when you feel ‘young’, when a certain vibrancy peels back the years, it a universal we all know – it exists and therefore can be bought.

Advertising has always been an art, but now it is more closely aligned than ever – with an industry so saturated with content it has to be. Art has always sold youth – Hugo Williams’ poem ‘Peach’ for example always sticks in my mind as capturing this idea of youth – as he takes us up the ‘lookout tree’ and kicks the ladder way – however the line that hits it on the head is ‘It was almost impossible to get down’, as he goes on to say ‘that was the whole point’. It touches upon youth as that perfect commodity – rare ‘almost impossible’ but something that can be believed – a real magic.

This week we will mostly be talking about youth.

James Harringman
Editor

Monday, 28 June 2010

Hollywood | Introduction | Universal Pictures


Week 6 | Hollywood | Contents

Tuesday | Poetry | Remakes
Wednesday | Fiction | Changing Faces 
Thursday | Music | Musical Hollywooding


Kodak sells film, but they don't advertise film. They advertise memories.”
 Theodore Parker

We talk about film quite a lot here at Silkworms, which is a little odd as it is not mentioned on the tin, it just seems to worm its way in.

It makes sense for a couple of reasons – firstly and most superficially, it’s because we’re all film fans in Silktown, so naturally it part of the vocabulary of our thought – sometimes we think in film, see the cinematography of an idea – don’t we all. This leads on the more complex second reason regarding the universal nature of the medium. Film is visual, not of one language – so it is inherently ‘open’. It is also easy – just sit back and watch. It is no surprise then that it so popular – the undemanding on demand.

As Frank Capra notes “Film is one of the three universal languages, the other two: mathematics and music”. But, film features music – the soundtrack. A novel doesn’t have a soundtrack, and an album doesn’t have an accompanying visual (of course there are exceptions on both those fronts). Film more than most artistic mediums engages the eyes and ears – it spreads it bets and can throw in a chip or two on any conversation of music, art or literature. I considered for a moment the mathematics of film, but the first thing that leap to mind was ‘A Beautiful Mind’ – so I left that tangent at that.

This week, welcome to Hollywood.




James Harringman
Editor